William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting

William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting

William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting
Fine British and European pictures, with new listings each and every week. Frank Colin Campbell Bradshaw MBE'. 22 x 18 in (54 x 44 cm) framed approx. Fine 1920's oil on canvas portrait of Lieutenant Colonel Frank Colin Campbell Bradshaw MBE by the important English artist William Logsdail. Excellent quality and condition portrait of Lieutenant Colonel Bradshaw painted by his father in law William Logsdail as a wedding gift. Presented in an antique gilt frame. William Logsdail (25 May 1859 3 September 1944) was a prolific English landscape, portrait, and genre painter. He exhibited at the Royal Academy, the Royal Society of British Artists, the Grosvenor Gallery, the New Gallery (London) and others. Logsdail attended the Lincoln School of Art, where he initially showed an aptitude for architecture, but with the encouragement of his art master, Edward R.

Taylor, (who was also Head of the School) he took to painting. While there, he won the Gold Medal for his work in competition with students at other English art schools. He went on to study in Antwerp at the École des Beaux-Arts, under Charles Verlat. While there, he became the first Englishman to win first prize at the School.

One of his works from this period, The Fish Market (1880), was bought on behalf of Queen Victoria for Osborne House. When told of this, Logsdail supposedly commented,'Shows her Majesty's good sense'. In the autumn of 1880, Logsdail visited Venice where he was to remain, with occasional visits to England, the Balkans, Egypt and the Middle East, until 1900. During this early period in his career, he gravitated towards architectural and subject paintings. His The Piazza of St. Mark's, Venice , painted in 1883, was judged by the Royal Academy to be the'picture of the year' when it was exhibited in London. While in Venice, Logsdail moved in a social circle that included Harper Pennington, Robert Frederick Blum, Martin Rico y Ortega, Frank Devenick, James McNeill Whistler and John Singer Sargent , the latter of whom inscribed a picture to Logsdail. While not inclined to openly criticise other artists, Logsdail did, in his memoirs, relate a story concerning Walter Sickert. As he worked on his Ponte della Paglia (1898), Sickert arrived and set up his easel nearby. He then'began to caper like a master of fence, backing and lunging with sudden stabs at his canvas'. An American passing by noticed a button on the pavement, retrieved it and, offering it to Sickert, said,'Excuse me, sir, but I think this has worked loose! The Times, in its review of the Royal Academy's 1881 exhibition, called Logsdail's work technically almost faultless, resembling a first-rate mosaic, rather than possessing those qualities understood by artists as painting and lacking'delicacy of gradation'. The Standard, in their review of the Royal Academy's 1883 exhibition described his The Piazza of St. Mark's, Venice as possessing a'vivacity of characterisation' and a'brilliancy of painting'. In its review of London art exhibitions in 1887, The Times commented that his'eastern' works, such as Arch of the Khalif - Cairo and Doorway of a Mosque , painted while in Egypt, were admirable and suited his talents as a colourist.

Commenting on his The Ninth of November (The Lord Mayor's Procession, London, 1888) (1890), the Birmingham Post pointed out its success in its accurate portrayal of the'vigour, variety, humour, and incident of a London crowd'. The Morning Post, in its review of the Royal Academy's 1897 exhibition, highlighted the'sincerity' and'judicious combination' of colour hues demonstrated in his Bronze Horses of St. He also painted some sixty-nine small paintings for the Fine Art Society on the subject of the French and Italian Riviera. In 1893, Logsdail was awarded a medal for oil painting at the World's Columbian Exposition (also known as the Chicago World's Fair).

This marked the beginning of a period of portrait painting for Logsdail, who was offered so many commissions that he was able to pick and choose his sitter at will. In 1912, he was elected as a member of the Royal Society Portrait Painters. In 1922, he and his family moved to the Manor House at Noke near Islip, Oxfordshire, where Logsdail remained until his death at the age 85. A plaque on the house commemorates his time there. Logsdail was a friend of Frank Bramley, who also attended Lincoln School of Art and went on to co-found the Newlyn School and be elected to the Royal Academy.

His father was Commander Frank Bradshaw R. Frank junior was a Lieutenant Colonel in the Royal Engineers and was awarded the MBE. He died suddenly whilst on active service at Fayed, Egypt, on 10 September 1947. At the time of his death he is recorded as living at the Logsdail family residence at the Manor House, Noke, Oxfordshire, at which there is now a blue plaque for William Logsdail.

We are fine art dealers based in the historic civil parish of Sevenoaks in Kent. We source fine pictures from across the UK and continental Europe, many fresh to market from our exclusive contacts and sheer persistence. If you have any questions please get in touch and we will reply within 24 hours. We do not attempt to enhance our photographs by taking them in artificial conditions such as a light box. All of our photographs are taken in natural day time room conditions and no filters are used on them.

Buyers can be confident that what they see in the photographs is exactly what they will receive. Please be aware that the pictures we sell are of considerable age and will often have lived through several human life cycles. They will therefore show signs of age with imperfections, wear and/or restoration which is entirely normal and cannot be avoided. We endeavor to describe any major faults, but please be sure to look closely at the photographs to satisfy yourself with the overall condition of the item.

If you feel that an item has not been described accurately please get in touch within 48 hours of receiving it. The item "WILLIAM LOGSDAIL (1859-1944) PORTRAIT OF A GENTLEMAN ANTIQUE ENGLISH PAINTING" is in sale since Tuesday, August 31, 2021. This item is in the category "Art\Paintings". The seller is "sevenoaks-fine-art" and is located in Sevenoaks. This item can be shipped worldwide.
William Logsdail (1859-1944) Portrait Of A Gentleman Antique English Painting